WHAT YOU DON'T KNOW

New compilation tape "What We've Done Is Secret" from my boys, Sick People. Put together by Super Soldiers Tapes outta Spain, this thing compiles all of the bands music to date including the demo and jam tapes (both handled originally by yours truly) and the bands songs off the recent Split Scene Australian comp LP. Black tape here of 80 copies, a run of 20 copies on clear cassettes was also produced.

MAD PROBLEMS

Picked up this EP "I Hate My Body" by Brooklyn's Goosebumps from Burn Books this week due in part to the great artwork. Surely you get an uneasy feeling just by looking at it? Correlate the music directly with that feeling, and you'll have a good idea of what this band is getting at here. Fucked up, nihilistic, deranged, outsider hardcore punk. Again, this stuff induces visions of overdoses and suicides inside my head. Lo-fi recording in tact, I'd argue that this is one of the cooler band's I've heard come out of New York in recent years, and they'd be right at home on a label like Youth Attack or something similar, minus if course all of the pretension and bullshit.

BLACK MAGIC

Mentioned last week that I'd be getting my hands on this LP. Here ya go. The 2009 Back On Black reissue of the debut Slayer album, "Show No Mercy". White vinyl was the wider press of this version. Gatefold sleeve. Proto thrash metal. Proto black metal. Proto death metal.

FUNDAMENTALIST

Here's an LP that's been somewhat of a surprise for me this year. From Adelaide comes The Weight with their debut album, "Prisoners Of The Flock" on brown black smudge vinyl of 100 copies in a gatefold sleeve. All pressed by a relatively new record label and store from their hometown, Clarity Records. What you get here is what some would likely consider relatively generic Australian hardcore. Crystal clear recording, moshy guitar tone, heavy hardcore structures, written to get a pretty obvious reaction live. Normally with this is stuff I don't find much interest at all, but there's a handful of factors that have really managed to catch my ears with this thing. First up the riffing; reminds me heaps of early All Out War. Sharp, metallic, fast riffing. The sound translated through those riffs also give me a massive Crown of Thronz vibe, and I am willing to be the guys in the band were also channelling a fair bit of Trapped Under Ice when writing this album. And The singers voice; massively reminiscent of the front man from Most Precious Blood. Exact same tone and attitude. With this album, that's two bands from Adelaide this year that wouldn't normally really impress me that have. Good work Adelaide.

KILL AGAIN

A relatively well known Brisbane record store recently reopened their shop front in my local shopping center last week much to my pleasure. Honestly, I don't often pay visits to local stores, as I rarely find anything of much worth, but within 30 seconds of being in Rockaway Records I managed to stumble across this 2008 picture disc reissue of Slayer's 2nd album "Hell Awaits". Now yes I realise that a 2008 reissue may not be that impressive to those with access to great local stores, but here in Brisbane, there really aren't any good stores at all that cater to my taste in music, so when I found this in a shop five minutes from my home, I was pretty impressed. Let it be known also, I do not really like picture discs, but at least this version comes housed in a proper sleeve. The store also had a Back On Black reissue of the bands "Show No Mercy" album that I suspect I will return to collect this week at some point. Do you need a description? It's Slayer. I didn't think so.

EXIT THE GAME

Toronto's Vile Intent are a band that I am very fond of. Pretty sure I've posted rather favourably about them on here before too. Their second EP, "Regression To The Mean" was more or less my favourite 7" of 2011, and to this day I still jam it at least twice a week. Pure Powerviolence perfection. One of the best bands doing the rounds currently. This is their new CS EP, "Skin In The Game", produced just recently for distribution at Not Dead Yet Fest. I was quick enough to grab one of the left over copies from the Diseased Audio webstore. Not sure if that label had an actual hand in dubbing this or if it was a band job. The label has stated that they may be involved with the upcoming vinyl version of this EP. If you're looking for any kind of natural progression here, you won't get it. What you do get is more of what the band do very well. Stop/start, doomy, blast beat peppered hardcore. Maybe I'm getting a little too excited? I can't say enough good things about these guys.

WHEN LIFE HAS CEASED

To complete the trilogy of posts initiated here and continued here, I present the final piece to the puzzle, the brilliant Nihilist demo tape, "Drowned". Arguably some of the best death metal ever produced and certainly the most influential in terms of a developing Swedish scene of the late 80's. My favourite death metal song of all time can be found here in the opener "Sever Burns" also. Re-written and re-recorded on the second ENTOMBED album, "Clandestine" a few years later, this version of the song is a total LESSON in how this style of music should be written, played and recorded. The tremolo picked riffs that back LG's vocals in the opening verse are just bone shaking. The second version is far inferior in my opinion and they should never have fucked with the way they did.

Now to hunt down the Grave and Dismember demos.

DIXIE WHISKEY

Seems appropriate as I am going to see these guys play tonight, here's a new acquisition in a recent reissue of the the 1996 Eyehategod album, "Dopesick". Pressed a number of time over the years by a few labels, this edition here was released last year by Emetic Records with license from Century Media. A limited white version was created during this press, but mine is on double black with a gatefold sleeve. Considering their wide influence over a lot of great music and a lot of stuff  that I really like, I've never really been a massive fan of the band. In terms of southern style doom metal like this, I was raised on a pretty solid diet of arguably more tuneful bands like Down, Iron Monkey and even Superjoint Ritual. Though this album certainly has many greats bits, and it's a record that I feel almost has a right to belong in any proper collection, it's certainly a much more downer kind of album. Easily some of the most depressing music that I listen to anyway. With the mood setting of Mike Williams tortured groans leading into the opening track, coupled with the relatively low quality recording, whenever I listen to this album I just envision shitty things happening like heroin overdoses and people blowing their heads off with shot guns. Perhaps that's why I can't enjoy the band as much as a probably should. I can easily see how the majority of people interested in downer stuff like this will get a rush out of that imagery though.

DEAD IN THEIR TRACKS

One of the best demos of 2010 has finally and rightfully so been pressed to vinyl by Hells Headbangers. I speak of the BRILLIANT Black Jesus from Melbourne and their masterpiece that I originally posted about a couple of years ago. Limited red 12" of (possibly?) 100 copies. With a purely mind blowing blend of thrash, crust and death metal, the band are self described as 'Scrap Metal', and I don't think I could think of a more appropriate description myself. Possibly I seem over enthused about the group? I probably am, but I can't think of a single other current metal collective (except possibly Bone Sickness and Entrapment) that I am more excited about. Certainly one of my favourite top 3 current Australian bands as well. Catchy, interesting and unique, I can't say enough good things about these guys. Based off some recent posts on their facebook page, I think they might possibly have some new music due for release some time very soon also. Can't wait.

GATES TO HELL

Can't really deny the popularity Florida's Obituary seem to experience within hardcore circles. I've been a fan of the band for a long time but my fondness was certainly generated well before I took a stronger interest in anything remotely hardcore. I've never been able to put together just why kids have always taken such an active interest in the band over the many other bands who I consider to be just as worthy of the attention. Most likely the massive riffing they've always been overly adept at using. Anyway, this is a 1997 reissue of their 1989 debut LP ripper, "Slowly We Rot". Black wax pressed by Cargo Records under license from Roadrunner Records. Easily their best stuff, some of the riffing in here is just deadly. The last new material of theirs that I listened to was "Frozen Over" back in something like 2005, but tonight I've downloaded the two LP's that followed that. Curious to hear what they're both like. I read somewhere that they have a new album due this year too.

MASS OBLITERATION

More death metal from Netherland's Entrapment, this time their debut 7" from last year, "Crawling Morbidity". Black vinyl, released by the great (and now defunct) Detest Records. As stated yesterday, my purchasing of this was more or less inspired by the positive review it received on a fellow bloggers page a few weeks back. Burly, big Swedish styled death metal with a noticeably cleaner recording this time around compared to the previous tapes. The band have just released their new LP,  "The Obscurity Within" on Soul Seller Records. I think I'll need to grab it too.

SOUL ENTRAPMENT

Inspired by Mark Sandwell's post a few weeks back on his blog about the recent Entrapment 7" I went out and procured myself the latest batch of releases by the band. Now I am quite the fan of this bands first demo "Infernal Blasphemies", but following my post about that cassette last year I kind of lost track of the them a little. Between the first demo and the EP, they also managed to self release this tape at the end of 2010, the "Putrefying Stench Of Death" demo. More blistering Swedish styled death metal from this Dutch unit, I'd quickly argue that this release, while considerably rougher in recording natures, far outweighs the previous material ten fold. This thing could have easily been released as part of the Swedish tape trading scene of the last 80's. Sunlight sound fully in tact, the band employ all the earmarks of that scenes approach; spiralling, descending tremolo picking offset by big crunchy riffs, catchy leads supported by hints of melody, a vocalist with an approach perfectly worthy of being placed along names of great like Petrov, Lindgren and Kärki, all underpinned by a sneaky punk approach evident in the odd d-beat and the Crucifix cover. One of the best Euro bands doing this sound at the moment.

BLACK AND BLUE

Two things happening today. First up, the new issue of the zine I do is ready to go. Downsided #6 features interviews with two awesome bands- Purity Control from Toronto and Violent Reaction from Liverpool. Both bands have brand new releases out now. Do yourself a favour and secure hard copies of them all. If you live in Brisbane and see me at a show, you're in luck because I will give you a copy for free. If you want one posted within these shores, it will end up being about $2 post paid for a single copy. If you want to pay more like $5, I will will send you 5 copies to give to mates. Resist Records in Sydney and Missing Link in Melbourne will also have copies within the next week or so. Canadians; Brandon DeMarco of Purity Control and Andrew Nolan of Column Of Heaven will have copies eventually. Brits; look to Tom Pimlott of Violent Reaction/Liverpool HARDcore. Irish folk; ask Jamie Grimes at Suburban Mayhem, Destroyed Human etc. Yanks; Please see Dustin at Look Alive Records or Judge at Mind Rot Records. Of course, if you're in one of those countries (or anywhere else for that matter) and would prefer to buy direct, hit me up. I'll only charge you the postage rates. Last issue for a while, if not forever. I struggled long enough to build the motivation to finish this one.

And the next Delayed Response release, #12, the 2nd Nazi Dentist demo tape "Hostile". More blast beat ridden, PV influenced hardcore, much like their last tape but with a far superior recording this time around and plenty more stop/start structure ala No Comment. 50 copies. Both the band and myself will have them for sale at their upcoming shows. $3 in person. $5 posted around Oz. I haven't arranged any international distribution for this thing but if you want a copy, email me and we will work out the cost. Again, the last one for a while. It's time to save some money.

Contact for both of the above can be made at- stylecat19@hotmail.com. Thank you.